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Walking the Line. New Interactive Documentary

Walking the Line. New Interactive Documentary

In Italy, Azerbaijan and the UK people are fighting against the devastating impacts of import pipelines and wresting back control over their energy system. In this beautiful documentary we made with Global Motion, Re:common and Counter Balance we meet the people who live alongside the Euro-Caspian Mega Pipeline and are organising against this gargantuan piece...
Tate to go back to court over BP secrecy

Tate to go back to court over BP secrecy

Press release: Tate to go back to court over BP secrecy Tate accused of using technicalities to keep BP sponsorship fees secret. Art museum believed to be reviewing BP deal this year, ahead of potential renewal.[1] Hearing scheduled for 11 May 2016. Please contact for details. Contact: Anna Galkina, Platform / @platformlondon / [email protected] Tate...
2015 - The End of the Eternal Present

2015 – The End of the Eternal Present

Notes after a conversation with Doreen Massey, which took place ten days before the one-year anniversary of Syriza’s landslide victory of 25th January 2015. We were reflecting on the past year. What an extraordinary set of events has unfolded in those twelve months – the Syriza election, The Green Surge of last Winter, the transformational...
Possession - the Boxing Day Floods and the recommoning of the rivers

Possession – the Boxing Day Floods and the recommoning of the rivers

We wake in a B&B in Kilnsea, the last village before the shingle bar of Spurn Head that juts out from Holderness in East Yorkshire. All night a South Easterly wind of Force 6, gusting to Force 7, has buffeted the farmhouse. From the windows we can see white horses on the River Humber and...
Artists to take over Tate Modern during Paris climate talks for 3-day unauthorised festival

Artists to take over Tate Modern during Paris climate talks for 3-day unauthorised festival

For immediate release Unauthorised festival to take over Tate Modern spaces during next weekend of climate talks Contact: Mika Minio-Paluello / +44 7733466038 Full programme available on deadline.org.uk/programme Deadline Festival @Tate takes place exactly a year before Tate’s BP sponsorship deal expires Full programme is now available online. Including poetry, video installations, Caryl Churchill play,...
We will Remember them - those who were hung and those who executed the hanging

We will Remember them – those who were hung and those who executed the hanging

Here again. Standing before the white Portland Stone cenotaph of the Shell Center. A crowd of fifty or more in silent attention as the names of the dead are read out: Saturday Dobee Nordu Eawo Daniel Gbooko Paul Levera Felix Nuate Baribor Bera Barinem Kiobel John Kpuinen Ken Saro-Wiwa The chief mourner is Lazarus Tamana,...
Our pensions, our communities, our planet

Our pensions, our communities, our planet

Trade union briefing: Our pensions, our communities, our planet How to reinvest our pensions for our good? Download the briefing (pdf) Local governments in the UK invest over £14 billion of public sector pension funds into fossil fuel corporations. That means workers’ pensions are accelerating dangerous climate change. They are overly risky long term investments...
Support the Trade Union reinvestment campaign

Support the Trade Union reinvestment campaign

Local governments in the UK invest over £14 billion of public sector pension funds into fossil fuel corporations. That means workers’ pensions are accelerating dangerous climate change. They are overly risky long term investments and they funnel capital out of local lives, jobs and economies into corporate profits of the likes of BP and Shell....
'Return' - new poem for the Bus by Sai Murray

‘Return’ – new poem for the Bus by Sai Murray

This summer, Platform commissioned Sai Murray – poet, writer, and spoken word supremo – to write a poem about the Bus’s journey to Ogoniland. Sai made some stunning political connections to other struggles, connections in all these years we had not made ourselves. John Ruskin once said “The best response to a work of art...