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‘Oil City’ in The Guardian

By Lyn Gardner

‘Oil City’ reviewed in Red Pepper

by Siobhan McGuirk

Shell sponsorship repeatedly crops up on first Meltdown weekend at Southbank

The first weekend of Yoko Ono’s Meltdown festival saw the issue of Shell’s sponsorship cropping up again and again. On Friday, we revealed in our new briefing Shell: Global Mega-Frackers that the Southbank sponsor was fracking or planning to frack in every continent, with operations happening in Canada, the USA, Argentina, Algeria, Tunisia, Egypt, the...

‘Oil City’ in The Big Issue

By Sally Brammall

30 years old today

Platform has no precedence in this country: a theatre group that does not believe in directors or actors; a political group that does not believe in leaving politics to politicians. It exists to heal the division of creative artist from passive audience, the division between specialist disciplines. (Manifesto, 1987) Rummaging in the archive recently, we...

Meltdown festival put in fracking spotlight by new report

Yoko Ono’s anti-fracking activism contrasts with venue sponsors Shell’s international fracking activities A report published today called Shell Global Mega-Frackers has juxtaposed Yoko Ono’s anti-fracking activism in the US with new research showing the extent of Shell’s world-wide fracking activities. The report has been published on the first day of the international Meltdown Festival curated...

Shell: Global Mega-Frackers

This briefing compiles numerous examples of Shell fracking around the world, but does not claim to be an exhaustive list. By timing the release with Yoko Ono’s involvement in the Meltdown Festival at the Shell-sponsored Southbank Centre, we hope to: Increase awareness of the enormous role that Shell is playing in expanding fracking operations all...

‘Oil City’ in We make money not art

Oil City begins

Oil City’s first performances took place today, the start of its two week run. We don’t want to give too much away about this new work by Platform, but let’s just say this spy thriller is bringing out the spook in us all! Part of Artsadmin’s Two Degrees festival, Oil City is a piece of...

Uneasy listening: Shell, Strauss and the Southbank Centre

 This is a guest blog by Chris Garrard, a doctoral candidate in composition at the Faculty of Music at the University of Oxford. He is also an environmental and human rights campaigner. Yesterday afternoon, I attended a performance of Richard Strauss’s Metamorphosen performed by Spira Mirabilis, with their rich performance sandwiched between two informative talks....

Book Review: Take the money and run?

by Bethany Rex, Arts Professional

Even oil dictators need a social license to operate – Aliyev’s cultural spending spree

Whether it’s BP’s sponsorship of the Tate galleries, Shell’s funding for the Southbank Centre or Tullow Oil’s controversial deals with Sunderland football club oil company sponsorship of the arts is a familiar phenomenon. But what about oil dictators? Do they also need a social license to operate? What kinds of institutions would they throw money...