Have you seen all these new Shell ads? Billboards on high streets and tube stations celebrate Shell as a champion of climate action and “keeping-the-lights-on”. When she’s your age What’s the way to keep the lights on into 2050? Burn the rest of the world’s fossil fuels, of course. And look, she’s even got a…
Why do BP and Shell need cultural institutions (Tate, British Museum, National Portrait Gallery), consumer brands (Lego, Waitrose) and universities? The simple answer is so that the rest of us think we need them. As the Tate’s lawyer explained BP’s sponsorship, if they didn’t think they were getting something out of it, they wouldn’t do…
Interview with Kevin Smith (Platform) and Hannah Davey (Liberate Tate)
Cultural sponsorship by oil company giants is creating debate Tristan de Bourbon, London; in Tribune de Genéve, page 11
Tate has faced an Information Tribunal to defend its right to keep details of its financial relationship with the oil company a secret. Frances Richens, Arts Professional
As the arts increasingly depend on private and corporate funding, questions arise about how closely artists and institutions should examine the sources of finance Rachel Spence, Financial Times
Oil giant facing criticism over corporate sponsorship of cultural institutions including the Royal Opera House Terry Macalister, The Guardian
Richard Aydon, the Tate head of legal yesterday admitted in a tribunal that Tate fears that “protests might intensify” as a result of potential revelations about its controversial sponsorship relationship with BP. The statement was made when Aydon was acting as a witness before the Information Tribunal where Tate was appealing against a March ruling…
Today we’re in court with Tate over a long running struggle to get them to say just how much sponsorship money they’re getting from BP. Working alongside Freedom of Information specialists Request Initiative, we’ve put a lot of time and energy in to trying to find out this figure, and this is why it’s important.…



