Is any money free from exerting an influence on the artist or art it enables? Is all money equally ‘good’ or ‘bad’, regardless of the source? In this Live Art Development Agency Study Room Guide, Jane Trowell from Platform has selected some key texts that are useful in helping to position yourself ethically with regard…
Last Tuesday, a group of 14 students from Middlesex University’s BA Fine Art course visited Tate Modern to do the Tate à Tate alternative audio tour. The group are studying on the module ‘Art and the Community’ with Loraine Leeson and Alberto Duman, and were booked in to come to Platform’s space afterwards for a…
Nigerian write Chinua Achebe died last Thursday at the age of 83. He is a key figure in world literature and a writer who along with others utterly changed the way cultures pre- and post-imperialism – and pre-missionary – imagined representing themselves. In so doing, he bolstered the challenge to western and white supremacist…
Controversies around oil sponsorship of the arts aren’t confined to the UK. This is a translation of an article by Ragnhild Freng Dale printed in Bergens Tidende on March 1st, which you can find online here in its original Norwegian. The Bergen International Festival, an annual festival of arts and contemporary music in Bergen, released their…
This February sees a new session start for the Shake! course on arts, media, race and power. Over five days young people will have space to imagine what justice looks like, experiment with new ideas, learn new tools, such as practical hands-on techniques in spoken word, online media, film/video and music technology. There will also…
Platform hails allies in Leeds who are tonight launching a key campaign and creative project ‘Remember Oluwale’. This marks the appalling treatment and early death in suspicious circumstances of Nigerian-born, Leeds-based man David Oluwale. It looks at the contemporary legacies, and how we can change the future. Platform makes common cause with David’s life and…
In August 2012 a dissertation for an MSc in Sustainable Development was submitted at Exeter University that was titled TATE-Á-TATE: An exploration of Soundwalks and their potential for achieving sustainability (download here). Written by Robert Black, it featured a three part auto-ethnographic response to participation in the Tate à Tate audio tour, a three part sound…
Point 4.1b of Tate’s Ethics Policy (that you can download here) states that Tate will not accept funds in circumstances when: The donor has acted, or is believed to have acted, illegally in the acquisition of funds, for example when funds are tainted through being the proceeds of criminal conduct. I’m not from any sort…
There was some wonderful news today as the National Gallery announced the end of its long-standing sponsorship arrangement with controversial weapons manufacturer Finmeccanica a year before the contract was due to run its course. Organisations like CAAT and Stop the Arms Fair have conducted an amazing campaign, using public pressure and creative interventions to make…
At the end of September, the merry band of Bard-based interventionists, the Reclaim Shakespeare Company struck again in Stratford-Upon-Avon. Shortly before the BP-sponsored performance of Twelfth Night was due to begin, three actors took to the stage to perform a short piece addressing the issue of the controversial sponsorship relationship, including lines such as: Alas,…









