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Tate's BP decision: What should Tate have done differently?

Tate’s BP decision: What should Tate have done differently?

David Carrington explains why arts organisations seeking commercial support could learn important lessons from the way Tate conducts itself as revealed through the recent BP sponsorship Freedom of Information case. David is an independent consultant and governance adviser. This article is part of ‘Mind the Gap: expert evaluations of Tate’s ethical decision-making over BP‘. For...
Tate's BP decision: Climate, ethics, and reputation-management

Tate’s BP decision: Climate, ethics, and reputation-management

by Bridget McKenzie Bridget McKenzie is a cultural learning consultant and director of Flow UK. Previously she was head of learning at the British Library for five years, and was Education Officer for Tate. This article is part of ‘Mind the Gap: expert evaluations of Tate’s ethical decision-making over BP’. For more expert comment and...
Tate's BP decision: Ethics, transparency, law and process

Tate’s BP decision: Ethics, transparency, law and process

Assessment of minutes and processes of the Tate Ethics Committee based on documents obtained through Freedom of Information Act requests. By Tim Crook, Head of Media Law & Ethics and Radio in the department of Media & Communications, Goldsmiths, University of London. Holding the appointment of Reader in Media and Communication at Goldsmiths and Visiting...
The tiger, the artists and the oil dictator's daughter - Ackroyd & Harvey pull out of Aliyev funded exhibition

The tiger, the artists and the oil dictator’s daughter – Ackroyd & Harvey pull out of Aliyev funded exhibition

In the glass confines of Holborn’s Display Gallery, in the lower recessed space an animal-like skin lays slung and discarded over a length of thick rope. Created by artists Ackroyd & Harvey, Pelt is a poignant image of death. On one side grass of differing shades creates a tiger’s delicate markings, on the other a raw hide-like...
Artwash: Big Oil and the Arts. Launch events

Artwash: Big Oil and the Arts. Launch events

Artwash: Big Oil and the Arts explores the murky world of oil sponsorship of the arts, focusing on the deep-rooted relationship between our art institutions and the multi-national corporations that fund them. In the wake of massive environmental disasters created by the oil industry, companies such as BP and Shell are using arts sponsorship as...
#MuseumWeek special: British Museum's BP secrets revealed & more

#MuseumWeek special: British Museum’s BP secrets revealed & more

The latest just in: British Museum’s BP secrets revealed BP Or Not BP? forced British Museum to reveal: BP sponsorship was just £596,000 per year from 2000- 2011 – around 0.8% of the Museum’s income. The figures were revealed under Freedom Of Information Act, just a few weeks after we forced Tate to admit that BP’s...
Take the Money and Run? How arts fundraising shapes the future

Take the Money and Run? How arts fundraising shapes the future

Article by Anna Galkina published in Dance UK magazine, March 2015. On a hot summer evening in July 2011, as the crowd in Trafalgar Square was settling down to enjoy a Royal Opera House production of Cinderella, a ballet dancer dressed as the White Swan appeared in front of the BP Big Screen. As she...
New book ‘Artwash’ reveals Big Oil’s art PR strategies

New book ‘Artwash’ reveals Big Oil’s art PR strategies

Artwash: Big Oil and The Arts by Mel Evans, out 20 April with Pluto Press To arrange interviews, contact Anna Galkina / [email protected] / @platformlondon For review copies or to arrange the publication of an abstract, contact Alison Alexanian / [email protected] New book analyses BP and Shell’s strategy to gain ‘social licence to operate’ by...
Artwash: Big Oil and the Arts. Out 20.04.15. Press pack

Artwash: Big Oil and the Arts. Out 20.04.15. Press pack

Artwash: Big Oil and the Arts is out 20.04.2015. Images and video here

Art and power: reflections on austerity and sponsorship

We often get asked: if we want the arts to be free from sponsorship by climate-wrecking oil companies, where’s the money going to come from? And aren’t we just going to push art institutions towards other corporate sponsors (arms dealers, banks) with tarnished reputations to polish? My immediate answer to this question is in the...
Take the Money and Run? a response to an event about ethics, funding and art by Mary Paterson

Take the Money and Run? a response to an event about ethics, funding and art by Mary Paterson

Take The Money And Run? was an event about ethics, funding and art that took place at Toynbee Studios, London on January 29, 2015. Attended by over 200 people, it was a day of presentations and discussion hosted by three organisations, Live Art Development Agency, Artsadmin, Home Live Art and produced in collaboration with Platform. We commissioned Mary Paterson...
Take The Money And Run? Ethics, funding and art

Take The Money And Run? Ethics, funding and art

40-min and 5-min documentation of Take The Money And Run? - an event about ethics, funding and art that took place at Toynbee Studios, London on January 29, 2015.