Have you seen all these new Shell ads? Billboards on high streets and tube stations celebrate Shell as a champion of climate action and “keeping-the-lights-on”. When she’s your age What’s the way to keep the lights on into 2050? Burn the rest of the world’s fossil fuels, of course. And look, she’s even got a…
A while back James Marriott made a journey to two communities – each of which tries to approach an ideal. This is his reflection on the experience. The first, La R.o.n.c.e in the Morbihan region of Brittany, is being established on an abandoned farm by six activists and artist-activists, two of whom, John Jordan and…
Why do BP and Shell need cultural institutions (Tate, British Museum, National Portrait Gallery), consumer brands (Lego, Waitrose) and universities? The simple answer is so that the rest of us think we need them. As the Tate’s lawyer explained BP’s sponsorship, if they didn’t think they were getting something out of it, they wouldn’t do…
“No you can’t get through down there. They’ve got a full set of anti-terrorist police. Machine guns and all. They’ll jump out at you if you go beyond that fence. Mind you, it helps keep the crime down in the village”. The tall man with white hair straggling out from under his black hat and…
Around about 3.00 am on the morning of Friday 19th September, whilst anxiously watching the results come in on the Scottish Independence Referendum, we heard one of the commentators on STV ‘Scotland Decides’ explain his view that after months of the politicians being unable to help the voters make their decision, ‘business leaders’ had stepped…
Platform was invited to present to the Geohack workshops that are part of the Fascinatecon conference in Falmouth this week. A version of the following was given via skype by James Marriott to an audience of ‘artists, gamers, historians, performance-makers, seafarers, landlubbers, the flooded and the landlocked’ in the Performance Centre, Penryn Campus, University of…
Last week we published a critical new report ‘Picture This – A Portrait of 25 years of BP Sponsorship‘, timed with the opening of the National Portrait Gallery London’s new ‘BP Portrait Award’ exhibition. In a series of blogs, we are featuring extracts from the report. Today’s blog shares devastating testimony and analysis from two…
Have a look at the ‘Storify’ to see some of the actions, reactions and impacts that happened around the National Portrait Gallery’s opening of this year’s BP Portrait Award. The main events were… On Saturday – ‘Portraits in Oil‘ performance-intervention at the NPG by Art Not Oil Coalition On Wednesday (day of the exhibition’s press…
Our new report Picture This – A Portrait of 25 years of BP sponsorship is in 5 parts. Each part addresses a different aspect of the issue, and should cause deep concern in any institution’s corporate sponsorship department that wants to operate ethically. Even though its publication is triggered by the 2014 BP Portrait Award…
Last week I headed home from the Netherlands, crossing the North Sea from the delta of the Rhine to the delta of the Thames, after having attended the Shell AGM in Den Haag with friends and allies from Greenpeace, ShareAction, Observatorio Petrolero Sur, Milieudefensie and Global Witness. This year’s Shell AGM was a quieter affair…