A group of artists, musicians and authors who have all performed at the Southbank Centre have signed a letter calling on the arts institution to drop Shell sponsorship on the 18th anniversary of the execution of Ken Saro Wiwa and the Ogoni 9. [1]
The 21 artists, including actor Mark Rylance, playwright Mark Ravenhill, the art collective Guerrilla Girls and Nigerian novelist Helon Habila have expressed their concern about the reputational damage that is being caused to the Southbank Centre through its long standing association with the controversial oil company. The ‘Shell Out Sounds’ choir have held a string of unsanctioned performances at Southbank musical events with songs about Shell’s various environmental and human rights controversies the world over. [2] Increasing number of events at the Southbank Centre have included the issue being raised by speakers, including recently by Canadian author Margaret Atwood,[3] and throughout the activism weekend of Yoko Ono’s Meltdown festival.[4]
One of the signatories of the letter, musican/composer Matthew Herbert said:
“One of the things that is striking to me as someone who performs in these spaces is that over many years you notice the presence of Shell on the South Bank. Arts institutions are giving oil companies a social licence to promote fossil fuels. Climate change is getting to a pretty alarming stage and part of art’s responsibility is to point that out, to suggest alternatives, to imagine the horror of environmental disaster in ways that might stimulate action.”
The tenth of November was the 18th anniversary of the Nigerian state’s execution of Ken Saro Wiwa and the Ogoni 9, who were organizing against Shell’s activities in the Niger Delta. Following long standing allegations of Shell’s involvement in the government’s decision to execute the activists, Shell were taken to court by family members of the Ogoni 9 in 2009, but subsequently settled out of court.
Shell continues to be subjected to global criticism for environmental and human rights issues associated with its more than five decades of operating in the Niger Delta. The letter from the artists refers to a United Nations Environment Programme report in 2011 that said Shell must pay an initial $1 billion to start reparing the decades of pollution it has been responsible for in Ogoniland.[5]
Celestine AkpoBari Nkabari, from Social Action in the Niger Delta said:
“The arts sponsorship that Shell is giving out is blood money, because people in Nigeria are suffering and even dying as a result of Shell’s operations. Land is taken, livelihoods are destroyed, and the environment is devastated as a result of Shell’s activities. Decades of campaigns and protests and they have yet to change their position. All they think is about is profit. Arts organisations shouldn’t be complicit in giving Shell a good image – it’s an insult to our daily struggle against their impact in the Niger Delta.”
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Notes
[1] The full text of the letter and signatories
“The 10th of November marks the 18th anniversary of the execution of the Ogoni 9, the Nigerian activists who struggled for justice against the pollution and repression caused by decades of Shell’s oil drilling in the Niger Delta. Ken Saro-Wiwa, one of the Ogoni 9, was a poet and playwright, and it seems unlikely he would have been supportive of arts institutions propping up the credibility of controversial oil companies – in the way that Southbank Centre currently does for Shell by accepting its sponsorship.
As artists who have all exhibited, presented or performed at Southbank Centre, who greatly value all that it provides to theatre, music, arts and literature lovers from around the world, we’re concerned that it damages its reputation through it’s association with Shell, whose name and logo are attached to events such as the Shell Classic International series.
A UN body asserted in 2011 that Shell should be paying an initial $1 billion to be cleaning up the five decades of environmental devastation that it has been responsible for in the Niger Delta, but Shell has yet to start paying. Until Shell has undertaken to provide financial recompense for the damage it has done to the Delta, it is inappropriate for cultural institutions like the Southbank Centre to accept sponsorship money from them. Shell is paying a small price to ‘artwash’ its public image, rather than paying the full amount needed to clean up its mess in the Niger Delta. “
1. Mark Rylance, actor
2. Mark Ravenhill, Playwright
3. Matthew Herbert, composer/musician
4. Guerrilla Girls, artist group
5. Labi Siffre, songwriter/musician
6. Matthew Todd, editor Attitude Magazine
7. Laurie Penny, writer
8. Helon Habila, novelist
9. David Graeber, academic and author
10. Keith Mcivor, Optimo
11. Steve Chandra Savale, Asian Dub Foundation
12. Hayley Newman, artist
13. Emma Mahony, previous Hayward Gallery curator
14. James Marriott, author
15. Charlie Kronick, Greenpeace
16. Sai Murai, poet
17. Clare Solomon, activist
18. Zena Edwards, poet
19. Christine Binne, artist
20. Nii Ayikwei Parkes, Literary Curator and author
21. Sam Winston, visual artist
[2] see www.shelloutsounds.org
[3] Margaret Atwood talk at the Southbank Centre – sponsorship, Shell & dystopias https://platformlondon.org/2013/08/28/margaret-atwood-talk-at-the-southbank-centre-sponsorship-shell-dystopias/#sthash.oJJMSomT.dpuf