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This Bitter Earth – rendering the invisible visible
During my leave over the summer I was really glad to catch the performance Arctic Requiem outside the Shell Centre in August. Here’s a piece I wrote about it, prior to Shell’s decision to cease drilling in the Arctic Ocean. The rain lashes down. A strong south westerly drives it along the Thames, across Jubilee…
2 Nov 2015 james -
Fossil Funds Free campaign – We are at 300!
Over the past ten days since the launch of Fossil Funds Free, ever increasing numbers of artists, writers, performers, and organisations have joined the Fossil Funds Free commitment. This is what they are committing to: ‘We do not take any oil, coal, or gas corporate sponsorship for our cultural work. We call on our peers and…
8 Oct 2015 jane -
Letting Laurel Speak
This is a guest blog by Victoria, mother of Laurel, 13, from Children Against Global Warming. Last Sunday my daughter was one of three children who performed an intervention at the British Museum and the National Portrait Gallery as part of a day of protests organised by Art Not Oil, against BPs sponsorship. Laurel is…
21 Sep 2015 anna -
Smuggled letters in the museum
On Sunday 13 September, sixteen different groups took over BP-sponsored British Museum for a whole day of performances in resistance to oil sponsorship. This is a partial transcript of our performance that took place in the Museum’s room 56 (Mesopotamia collection). This is a performance by Platform London in solidarity with Azerbaijan’s political prisoners.…
18 Sep 2015 anna -
Poetry that changes us – and join Shake! in August
We are not idealists. We know that art alone does not make the revolution. But we are not fools. We know that revolution is impossible without the art. Frente Popular, Dario Santillan Platform was invited to take part in the recent ‘Footprint Modulation: art, climate and displacement‘. This was a multi-site exhibition and season of…
8 Jul 2015 jane -
Tate’s BP decision: What should Tate have done differently?
David Carrington explains why arts organisations seeking commercial support could learn important lessons from the way Tate conducts itself as revealed through the recent BP sponsorship Freedom of Information case. David is an independent consultant and governance adviser. This article is part of ‘Mind the Gap: expert evaluations of Tate’s ethical decision-making over BP‘. For…
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Tate’s BP decision: Climate, ethics, and reputation-management
by Bridget McKenzie Bridget McKenzie is a cultural learning consultant and director of Flow UK. Previously she was head of learning at the British Library for five years, and was Education Officer for Tate. This article is part of ‘Mind the Gap: expert evaluations of Tate’s ethical decision-making over BP’. For more expert comment and…
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Tate’s BP decision: Ethics, transparency, law and process
Assessment of minutes and processes of the Tate Ethics Committee based on documents obtained through Freedom of Information Act requests. By Tim Crook, Head of Media Law & Ethics and Radio in the department of Media & Communications, Goldsmiths, University of London. Holding the appointment of Reader in Media and Communication at Goldsmiths and Visiting…
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The tiger, the artists and the oil dictator’s daughter – Ackroyd & Harvey pull out of Aliyev funded exhibition
In the glass confines of Holborn’s Display Gallery, in the lower recessed space an animal-like skin lays slung and discarded over a length of thick rope. Created by artists Ackroyd & Harvey, Pelt is a poignant image of death. On one side grass of differing shades creates a tiger’s delicate markings, on the other a raw hide-like…
29 Apr 2015 admin
